Shroom V2 Moodmat
A geometric patchwork mushroom in flat cel color, die cut on twelve inches of recycled rubber. Trip A x Fabsss artist series, run of 150, and sold out at the maker as of August 2026.
The Print
A Mushroom Built Out of Panels
Start at the cap, because that is where most of the drawing went. It is a wide dome, deliberately lopsided, tilting up to the left instead of sitting level, and its top surface has been divided into hard edged geometric panels that never repeat. Stacked chevrons in orange, red, blue and yellow run through one section. Striped triangles fill another. There are checkered bars, and there are small confetti fields where scattered multicolor speckle sits on a flat ground. Nothing blends into anything else. Every panel is walled off from its neighbours by a thick black keyline, and the fills are flat cel color with no gradient, no halftone and no airbrush anywhere in the print.
Under the cap the drawing changes register completely. The gills are a fan of concentric arcs in five values of blue, sweeping out from the stalk to both edges, and after the noise happening above them that fan is the quiet part of the picture. The stalk itself is a fat rounded column, widest where it meets the base, banded horizontally rather than paneled: a magenta zigzag across the middle, a yellow and orange arrow band beneath it, a thin rainbow striped strip below that, and a row of white and blue dots near the bottom. There is no lettering on the mat at all. No title, no signature, no date, no number.
Then the shape, which is the part the maker’s own page does not tell you about. The rubber is cut to the mushroom: the die follows the outer edge of the cap including the tilt and the wavy lower lip, then runs down both sides of the stalk and around the base. Not a rectangle, not a circle. A chartreuse yellow green outline traces the full silhouette just inside the cut, so the color print stops short of the edge instead of bleeding off it, and a bare black margin of roughly a quarter inch rings the piece fairly evenly the whole way around. Registration is tight across the whole print, with the black keylines landing on their color edges throughout and no misalignment halo to find. The rubber texture reads through the ink as fine mottling in the big flat blue and yellow areas, which is the substrate showing through rather than a fault in the printing.
A Collaboration
Trip A x Fabsss
Credited on the maker’s product page as Trip A x Fabsss, two personal handles working together, and nothing further is claimed here about either of them. What the picture supports is a way of working that leaves nowhere to hide. Flat cel fills and hard keylines mean every panel boundary is a decision that has to land the first time, with no shading or texture to cover a wobble, and the registration across a print this busy is tight enough that the black lines sit on their color edges the whole way around. That is the reason a mat carrying this many competing patterns still reads as one object instead of a mess.
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Made in New Jersey Since 2009
Rubber That Already Had a First Life
Moodmats started with scraps from old wetsuits and discarded scuba and surf neoprene, material that was headed straight for a landfill. That became Lava Rubber, and Lava Rubber is what every Moodmat is cut from. The feedstock now comes from wetsuits, gaskets, weatherstripping, seat molds, and other clean scrap that gets collected or donated. More than two tons of it moves through the New Jersey shop every month, gets pressed into sheet stock, then die-cut and screen printed. Keeping that material out of the ground has been the point from day one.
Closed-Cell Neoprene
Closed-cell rubber does not drink up what you spill on it. Water, reclaim, and terp splash sit on the surface instead of soaking in, so a wipe with soapy water puts it back to new.
It Stays Put
The rubber grips whatever it is sitting on and grips whatever you set on top. A rig that would skate across a glass table or a finished desk stops moving the second it lands on a Moodmat.
Tough and Self-Extinguishing
Heat resistant, self-extinguishing, and built out of material that already survived a first life. This is not a printed coaster that curls after a month on the table.
Where People Actually Put These
It Does Not Have to Hold a Rig
A Moodmat protects a surface and grips what sits on it. Whether that thing is a banger, a camera, or nothing at all is up to you. They are called Moodmats for a reason. Pick the one that matches how you feel and put it wherever it belongs.
Rig and Glass Pad
The job it was built for. Keeps glass off hard surfaces and keeps hard surfaces off your glass.
Display Surface
Figures, models, controllers, dice, cameras, watches. Anything worth setting on something intentional.
Wall Art
Plenty of these never touch a table. Hang it, frame it, or pin it behind the setup and let the print do the work.
Desk and Everyday
Trivet for hot pans, landing spot for keys, pad under a pet bowl, cushion on a camp table.
Why It Matters
Runs End. Prints Do Not Come Back.
Moodmats print in runs, and runs end. Once a design is out, it is out. Artist collabs and drop exclusives regularly land in quantities of ten to twenty five pieces, which is why the people who collect these track drops, trade them, and frame the ones they will never put a rig on. If this specific print matters to you, the time to grab it is while it is still on the shelf.
One Hundred Fifty Made, and the Maker Is Out
One hundred fifty is the whole production for this design according to the maker, and as of August 2026 their own page shows it sold out. We date that because it can change, but today it is a real and checkable fact rather than a sales line: there is currently no way to buy this design new from the source. There is no hand inked figure anywhere on the printed face, we have no photo of the back of one, and we are not going to invent a position inside the run, so the run size is what we quote and nothing finer than that. Two came in on our first wholesale order.
No Reprints
Moodmats does not go back and run a sold-out design again. When this one is gone from our shelf and theirs, the only way to get it is from somebody who already has one.
Worth Hanging
A print this limited does not have to earn its keep under a rig. Plenty of these end up on a wall, in a frame, or stacked with the rest of a collection.
The Details
Specs and Care
| Size | 12 inches at the widest point, approximate |
| Shape | Die-cut to the mushroom silhouette, irregular outline |
| Material | 100% upcycled closed-cell rubber, Lava Rubber stock |
| Screen printed, full color, flat cel fills with heavy black keylines | |
| Artwork | No lettering, signature or number on the printed face |
| Artists | Trip A x Fabsss, credited by the maker |
| Edition | Run of 150, not individually numbered |
| Availability | Sold out at the maker as of August 2026 |
| Origin | Made in New Jersey, USA |
Wipe it down with warm water and a little dish soap, then let it air dry flat. That is the whole routine. Do not run it through a washing machine or a dryer, do not scrub the print with an abrasive pad, and do not rest a lit torch or a glowing-hot banger directly on the surface. Use a stand or a puck for anything still at temperature.
Straight Talk
Know Before You Buy
Upcycled Means Variation
The rubber is reclaimed scrap, so base color, speckle, and surface texture shift slightly from sheet to sheet. Two mats of the same design will not be photocopies of each other. That is how you know it is the real material and not virgin stock.
Heat Resistant, Not Heatproof
The rubber is self-extinguishing and handles warm gear without complaint. It is not a torch pad. Park anything still glowing on a proper stand or a quartz puck, not on the print.
Die-Cut Means Irregular Edges
The cut traces the artwork, so the outline is a mushroom rather than a rectangle, with a wavy lip along the bottom of the cap and a stalk narrower than everything above it. The maker’s product page describes this design as a twelve inch full color print and never mentions the cut at all. The photograph settles that, and what you get is a mushroom. Two things follow from it. The stalk end is the thinnest section of rubber on the piece, and a rig parked out toward the base has less under it than one set on the cap.
Twelve Inches Is a Bounding Measurement
The maker lists this design as twelve inches and does not say which axis that figure measures. On a shape cut to a mushroom the cap is wider than the stalk and the height and the width are not the same number, so read twelve as the widest point rather than a square footprint. Both of ours are still exactly as they arrived. If the exact dimension is going to decide whether it fits your space, ask us first and we will open one and put a tape on it.
These Are the Maker’s Photos For Now
The single image on this page is the manufacturer’s product shot rather than a picture of a mat in our hands. It is a clean straight on studio photo on plain white and it is an accurate look at the print. It is not a picture of the exact sheet you will get. The rubber is reclaimed scrap, so base color and the speckle under the ink shift from mat to mat, and on a print built out of large flat panels that mottling shows up inside the blue and yellow rather than around the edge. Two on hand and our own photos are on the list.
Set the Mood
Recycled rubber, made in the USA, printed with art worth looking at. Free shipping on orders over $75, and every order ships from a veteran-owned small business.
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